학술지 논문

양판희(樣板戲) <해항(海港)>을 통해 본 1960-70년대 중국의 대외원조

  • 저자
    김경아
  • 논문지명
    동북아시아문화학회
  • 게재연도
    2022, vol.1, no.72, pp. 175-189 (15 pages)

본문

Model Opera is a literary and artistic play designed under the control of the Chinese Communist Party and was created for the purpose of promoting and educating the people of the Communist Party's political ideas. <Hai Gang> is the only Model Opera that was popular during the Cultural Revolution, set in the 1960s rather than the war period, and deals with events that take place in the process of transporting aid materials by Shanghai Port workers. <Hai Gang> was adapted by the party, including the planning of the play, the name of the character, the development of the event, and the song, and was completed after obtaining the final approval of the leadership. <Hai Gang> can be said to be a propaganda play that contains the Communist Party's foreign aid policy and political direction during the Cultural Revolution, and a cultural product that reflects the specificity of the time.
Chapter 1 is an introduction to the characteristics of Model Opera and China's foreign aid policy in the 1960s and 1970s. Chapter 2 introduced the process and content of <Hai Gang> adapted from the original to Model Opera While the original work emphasized class struggle while highlighting the daily lives of workers in the Shanghai port unloading zone, Model Opera <Hai Gang> was adapted to emphasize the ‘proletarian internationalism’ according to foreign aid on the basis of the original work. Chapter 3 analyzed the characteristics of China's foreign aid policy based on the content analysis of Hai Gang. <Hai Gang> successfully depicts the image of China as a donor country by completing the “proletarian internationalism” by shipping foreign aid supplies safely to Africa against the bourgeois conspiracy.

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